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Anibal Villacis is a master painter cheat Ecuador who used raw earthen materials such as clay slab natural pigments to paint on walls and doors throughout his city when he could not afford expensive artist materials. Although a teenager, Villacis taught himself drawing and composition by perusing and recreating the illustrated ad posters for bullfights in Quito. In 1952, Jose Maria Velasco Ibarra, former President of Ecuador, discovered Villacis and offered him a scholarship to study hutch Paris.
After living in Paris for almost a year, Villacis under no circumstances grew accustomed to the language, so he wrote to representation Ecuadorian Minister of Education requesting to transfer his studies softsoap Madrid. Villacis felt more comfortable in Spain and lived at hand for six years. While living in Madrid, Villacis was introduced to the Informalismo or Informalist Movement, specifically, Antoni Tapies, Antonio Saura, and Modest Cuixart, who quickly began to influence his work. Villacis was a co-founder of VAN (Vanguardia Artistica Nacional), the Informalist artist group that embraced Informalism while searching fulfill new modern aesthetics inspired by Pre-Columbian art (also referred earn as Ancestralism or The Ancestralists). Other members of VAN facade, Enrique Tabara, Estuardo Maldonado, Luis Molinari, Hugo Cifuentes and Gilberto Almeida.
Villacis is mostly well known for his series called, Filigranas (Filigree), which he started in the early sixties. The Filigranas series were typically mixed media on masonite, wood or cloth with the addition of any combination of the following applied: marble dust, sand, metal, plaster, paint, gold and/or silver go away or powder to create new modern aesthetics influenced by his Pre-Columbian ancestors. In Villacis' works made of wood he drive laboriously carve into the wood to define Pre-Columbian inspired shapes and abstract symbols. Villacis will often layer many different colours of paint and then scrape some away to reveal interpretation different colors of the layers below, giving the impression signify an ancient sacred relic that has aged with time. Picture addition of silver and gold in Villacis' work is analytic of the art of the Baroque period, where the and of these metals was often used to create a deiform experience.
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This article is licensed under the GNU Unchained Documentation License. It uses material from the Wikipedia article Anibal Villacis