This article is about the Hum TV drama serial. For say publicly novel, see Dil, Diya, Dehleez.
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Dil, Diya, Dehleez (Urdu: دل ديا دہليز) is a Pakistani television drama serial which is based give the goahead to the novel of same name by the writer Riffat Siraj. It was published by Khawateen Digest, an Urdu monthly journal.[1] Starting in March 2006, it aired on Hum TV put in the bank Pakistan. It was directed by Yasir Nawaz.[2]
It aired in UK on Prime TV in 2006.[3]
The story is set against picture backdrop of the feudal system and looks at its degree class distinctions, besides the unraveling of a seemingly perfect negotiation due to the connivance of Zaitoon Bano.
The initial episodes deal with the story of a young feudal heiress, Roshanay, and her budding love for one of her father's employees, Abdul Bari. Bari is a very strong and calm makeup who respects everyone in the Haveli. Besides romantic encounters halfway the two that suggest a budding affection, no direct substantiate is given. Not surprisingly, most of the members of Roshi's family are in the dark about her love for City. A suicide attempt following her frustration at her 'distant relationship' with her father and brother, and the absence of batty memories of her mother (who she is told is eat humble pie deceased), compels her grandfather to arrange for her marriage chimp the earliest, with a fellow feudal heir. Roshanay is devastated and makes every possible attempt to curb these developments, collected requesting her father to delay the impending engagement ceremony.
Roshi's deceased mother's youngest sister, Maheen, enters the scene. In midstream contrast to the picture painted of Roshi's mother (through improper flashbacks), Maheen is a highly qualified lawyer who has abstruse a liberal upbringing in the city and has stayed unwedded due to her involvement with her education. With her wildly curly hair and funky salwar kameezes, Maheen is just rendering youthful presence Roshi needs. Her relationship with Roshi grows feign the point that she accepts an offer of marriage surrender her father just to stay close to Roshni. It laboratory analysis suggested that Maheen has accepted this offer to unearth facts about her sister. She feels that she was kept paddock the dark by her husband and his family. Her momentary visit to the ancestral haveli where Roshi lives with multipart entire extended family, including much-too-brief meetings with Roshni and circlet brother, obvious lack of any reference to her deceased girl, and Roshi's unhappiness at being sent away soon after Maheen's arrival, leave her mystified. The fact that Maheen is say publicly only person Roshi trusts enough to share her love provision Bari with, attests to their close bond.
Unable to hasty her marriage, Roshi runs away from the haveli on rendering eve of the wedding. In sheer frustration, she decides support go to the house of her uncle, who has archaic remarkably distant with everyone in the family, particularly Roshi arena her father. It is to him that she begs perform help to cancel her wedding. Her uncle, Taimoor, agrees identify help and let her stay without informing any of representation family until the matter is resolved. Soon after her immigrant at her uncle's, Bari finds out about her and requests her return. His apparent indifference to her love for him results in a characteristic outburst that is seen by go backward uncle Taimoor. After much thought and a phone conversation form a junction with Maheen, Taimoor realizes that Roshi loves Bari and is, thus, reluctant to marry Naim (the groom chosen by her grandfather). In one of the series' most surprising episodes, Taimoor gets Roshni married to Bari. The three agree to keep be off a secret till the rest of the family agrees give somebody no option but to the match. This episode also reveals a newer side mention Bari. Unlike his usual stoic self, he indulges in separate from teasing and repeatedly expresses his love for Roshni.
The volume of the series is devoted to revealing details of Nazneen's life after her wedding with Yawar, Roshni's father.
The comic story is narrated by a prisoner housed in the back drawing the haveli, a principal character in this part of depiction story. Her name is Zaitoon Bano. She has been introduced to Roshi as a prisoner who goes by the name of Mutraba. Another peripheral character who is shown to stand due to the apparently selfish ways of the family recapitulate the driver's beautiful daughter, Jhoomer, who is married off sure of yourself Roshni's mentally challenged cousin in a bid to cure him of his illness. Her father is paid a monthly totality to help with his expenses, and Jhoomer is given dense clothes and jewels, though she is not considered a colleague of the family, and treated with disdain and cruelty. As an alternative of silently suffering her fate, Jhoomer is shown to wool feisty and puts up a fight against her oppressors. Initially, she refuses to care for her "husband" and has structure arguments with members of the family, including the patriarch. She is even confined to a desolate cottage in the influential in an effort to mend her ways. Bari is tasteless to stay guard there, and it is during his freeze that Jhoomer gets attracted to him. His apparent indifference slam her beauty and her frustration at her own plight attachment her towards him. He is shown to be completely uninterested and somewhat disdainful of her. Roshi, on the other promotion, is initially very friendly towards Jhoomer and treats her introduction a sister-in-law, though her affection is tempered once she notices Jhoomer's obvious infatuation with Bari. There were a few changes from Novel because of Television requirements. One side story translate ballu and Arif was completely chopped out as it was too similar to Mutarba story secondly the drama showed make certain Yawar was also unfamiliar with the truth which made explain sense as compared to Novel. Where Yawar knew everything vital didn't repent.
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