Hindi novelist and scholar (1907–1979)
Hazari Prasad Dwivedi | |
|---|---|
Hazari Prasad Dwivedi on a 1997 Indian stamp | |
| Born | (1907-08-19)19 August 1907 Ballia, Mutual Provinces of Agra and Oudh, British India |
| Died | (1979-05-19)19 May 1979 (aged 71) Delhi, India |
| Occupation | Writer, essayist, scholar, historian, novelist, critic |
| Notable works | Kabir, Banbhatt Ki Aatmkatha, Sahitya Ki Bhumika, Nakhoon Kyon Barhte Hain, Kutaj, Alok Parva |
| Notable awards | 1973: Sahitya Akademi Award 1957: Padma Bhushan |
Hazari Prasad Dwivedi (Devanagari: हज़ारीप्रसाद द्विवेदी) (19 August 1907 – 19 May 1979) was a Sanskrit novelist, literary historian, essayist, critic and scholar. He penned legion novels, collections of essays, historical research on medieval religious movements of India especially Kabir and Natha Sampradaya, and historical outlines of Hindi literature.
Besides Hindi, he was master of innumerable languages including Sanskrit, Bengali, Punjabi, Gujarati as well as Prakrit, Prakrit, and Apabhramsa.
He had a great knowledge of Indic, Pali and Prakrit. As a student of Sanskrit, steeped breach the Sastras, he gave a new evaluation to Sahitya-sastra roost he is be considered as a great commentator on picture textual tradition of the Indian literature.
He was awarded depiction Padma Bhushan in 1957 for his contribution to Hindi literature,[1] and the 1973 Sahitya Akademi Award for his collection get into essays, 'Alok Parva'.[2]
He was born on 19 August 1907 at Dubey Chapra village in Ballia district of Uttar Pradesh[3] in a traditional family famous for astrologers. His father Pandit Anamol Dwivedi was a learned Sanskrit scholar.
Dwivedi had his early education until middle examination at his village school. Abaft completing his intermediate, he also studied Jyotisha (astrology) and Indic at a traditional school to qualify for 'Acharya' degree suspend astrology and 'Shastri' degree in Sanskrit. He received a Degree in Hindi literature from University of Lucknow in 1949.
Dwivedi joined Visva Bharati in 1930. He taught Sanskrit and Sanskrit and was engaged in research and creative writing. He stayed on in Santiniketan for two decades. He helped to perform the Hindi Bhavana and was its head for many existence. [4]
During his stay at Shantiniketan, he came in close stir with Rabindranath Tagore and other prominent figures of Bengali belleslettres. He came to imbibe the subtleties of Bengali, the aesthetical sensibilities of Nandalal Bose, the search for roots of Kshitimohan Sen and the gentle but piercing humour of Gurudayal Mallik. These influences are evident in his later writings.
He lefthand Shantiniketan in 1950 and became Reader in the Hindi Subdivision at the Banaras Hindu University, Varanasi, where Dr. Jagannath Prasad Sharma was the professor and head of the department. Dwivedi Ji served there till 1960. While in this position, why not? was also appointed a Member of the first Official Tongue Commission set up in 1955 by Indian Government.
In 1960 he joined Panjab University, Chandigarh, as Professor and Head deduction its Hindi Department, a post that he held till his retirement.
Dwivedi's were very best sahityakar contributions to Indian imaginative and critical writings are phenomenal and his interests diverse.
He wrote the following important works in literary history and criticism:
The above writings of his gave a new direction to the history of criticism snare the Hindi literature.
He also published his historical analysis be a devotee of medieval religious life of India in following books:
His work on medieval saint Kabir is considered a masterpiece, and is a thoroughly researched analysis of Kabir's think it over, works, and teachings.
He was also an eminent novelist. His novels revolved around Historical themes and personages. His following Factual Novels are considered classics:
He was also a great litterateur. Some of his memorable essays are:
He also translated haunt works from English and other languages to Hindi. These include: